My Bird (Middle East Literature In Translation)
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Go to Conservation Land Management. Publisher: Ornithological Society of the Middle East. Click to have a closer look. Select version. About this book Customer reviews Related titles Recommended titles.
Images Additional images. Customer Reviews Review this book. Current promotions. Bestsellers in Birds of Asia-Pacific. Birds of Mongolia. In Roger Allen emigrated from his native-city of Bristol in England to the United States and took a position in Arabic language and literature at the University of Pennsylvania in Philadelphia.
This position is actually the oldest professorial post in Arabic as a separate language in its own right in the United States, dating back to At the university he has taught many generations of students, now including some of the most distinguished members of the younger generation of specialists in Arabic literature. He has also been very involved in the improvement of methods of teaching the Arabic language in American universities and colleges.
In the late s Roger Allen began to concentrate his research on modern Arabic fiction. He has also published many individual studies of works by Mahfouz.
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Beginning with a survey of pre-modern female literary personae in Arabic the elegist, the mystic, the singing slave , we will move on to examine major figures in the early modern feminist movement, autobiography, film, and the novel. No Arabic required. What do you establish with Alifa, Radwa, and Salwa? My hope is that it will bridge multiple historical periods as well as geographical regions and national contexts across the Arab world.
As you can imagine, this is no easy task.
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This kind of essay helps me tailor in-class writing exercises and tasks for students, who always arrive with a variety of experiences with and attitudes toward writing. What elements were you looking for? Of course, the choice of texts for this premodern portion of the semester was largely determined by the availability of translations. Looking back on this early portion of the semester, I realize that it must have felt very disjointed and difficult for my students jumping back and forth across numerous centuries and geographical contexts the way we did.
This was tough stuff for students, though! What were the particular hurdles to cross before you could get to the texts themselves? Aladdin , on the other. What elements did students focus on? What does viewing the film change, bring, shift?
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